Pet Portrait Artist
A brown horse looking towards the camera in winter

Mediums

Pet portrait mediums compared

Paint, pastel, pencil or pixels? Each medium has its own look, process and care needs. Here is how to choose.

Photo: Pete Markham, CC BY-SA 2.0, via Wikimedia Commons

By the Pet Portrait Artist editorial team · Updated · 4 min read

A pet portrait can be painted in oil, built up in soft pastel, drawn in charcoal or pencil, or created digitally on a tablet. Each medium gives a different look, takes a different amount of time and needs different framing and care. The best choice depends on the style you love, where the portrait will hang and how you'll use it. These guides explain each medium in plain language so you can talk to artists with confidence.

The guides in this section

Mediums at a glance

MediumLookFramingTypical timeline
OilDeep, luminous, traditionalOften no glassLonger (slow drying)
AcrylicBright, crisp or painterlyOften no glassModerate
Soft pastelSoft, velvety, rich colourGlass with mat or spacerModerate
CharcoalDramatic blacks and greysGlass with matModerate
Graphite or coloured pencilFine detailGlass with matCan be long for realism
DigitalAny style, file or printDepends on printOften shortest

These are general patterns. Timelines depend far more on the artist, size and detail than on the medium alone.

A long tradition

Portraits of individual animals have a long history. The National Gallery in London describes George Stubbs's Whistlejacket, painted in oil around 1762, as probably the most well-known portrait of a horse, and notes that Stubbs spent 18 months dissecting and drawing horses to understand their anatomy. That combination of close observation and skill is still what makes a great pet portrait, whatever the medium.

Choosing by style

If you want rich colour and depth, consider oil, acrylic or pastel. If you want fine detail in monochrome, consider graphite. For drama and expression, consider charcoal. For illustrated, cartoon or graphic styles, or a file you can use in several ways, consider digital. Most importantly, find an artist whose existing work in that medium you love.

Choosing by space

Large oil or acrylic paintings make a statement in living rooms and can be hung without glass, so there's no glare. Pastels and drawings suit smaller spaces and look elegant with a wide mat, but need glazing. Digital portraits can be printed at the size you need, as long as the file is large enough.

Choosing by care

The Australian Institute for the Conservation of Cultural Material explains that light, heat and humidity changes can damage paintings, and recommends avoiding direct sun and exterior walls. All mediums benefit from this advice. Works on paper, including pastel, charcoal, pencil and prints, are particularly sensitive to light and humidity, and need glazing to protect them from dust and handling.

Materials matter

Ask artists what materials they use. Artist-quality paints, pastels and pencils are usually rated for lightfastness, and acid-free or archival papers resist yellowing. For digital prints, ask about archival inks and papers. Good materials help a portrait last for generations.

Size and detail

Size affects how much detail an artist can include. A small portrait suits a single head study; larger works allow full-body poses, several animals or a background scene. Very detailed realism in any medium takes time. Tell the artist where the portrait will hang, and consider measuring the wall and marking the size with tape before you decide.

Talking to artists about mediums

Artists are usually happy to explain why they work in a particular medium and how it will suit your pet. Ask what they think would best capture your animal's coat and character, and whether they'd recommend a particular size. Their answers tell you a lot about their experience and how they communicate.

Combining mediums

Many artists combine mediums, such as watercolour under coloured pencil, pastel pencils over soft pastel, or acrylic underpainting beneath oil. Mixed media can create unique effects. Treat mixed media works according to their most delicate component.

Five steps to a portrait you'll treasure

  1. Choose an artist whose existing work you love, in the medium you want.
  2. Take or gather good reference photos: sharp, well lit and at eye level.
  3. Get written terms covering price, inclusions, deposit, timeline, changes and copyright.
  4. Approve the composition early, when changes are easiest.
  5. Frame and hang it well, away from direct sun, heat and damp.

About these guides

Pet Portrait Artist is an independent information site about commissioning, photographing for and caring for pet portraits in Australia. We aren't an artist, studio, gallery, marketplace or framer, and we don't recommend particular artists or businesses. Our guides are general information written in our own words, with expert and official sources listed on every page. They aren't legal advice.

How we keep these guides current

We review each guide against its sources and show the date it was last checked. Copyright law, consumer rules and conservation guidance change from time to time. If you notice something out of date, please tell us through our contact page, and we'll check and correct it.

Use the pet portrait planner

Our free pet portrait planner shows how each medium looks and is cared for, and gives a reference-photo checklist and questions to ask an artist. It runs entirely in your browser, and nothing you choose is sent anywhere.

Guides in this section

Frequently asked questions

Which medium is best for a pet portrait?

There's no single best. Oil and pastel suit rich colour and fur, pencil suits fine detail and digital suits illustrated styles and quick turnaround.

Which mediums need glass?

Pastel, charcoal and pencil works should be framed behind glazing with a mat. Varnished paintings often aren't.

Which medium lasts longest?

Any medium can last a long time with good materials and care. Ask about archival materials and keep artwork out of direct sun.

Can I see examples before choosing?

Yes. Look at an artist's previous work in the medium you're considering.

Sources and further reading

Facts on this page were checked against these primary and official sources. Conditions change — confirm before you travel or buy.

  1. George Stubbs, Whistlejacket, about 1762 — National Gallery, London
  2. Caring for paintings — Australian Institute for the Conservation of Cultural Material
  3. Basic care: paintings — Canadian Conservation Institute